Phineas and Ferb: Ranking All 300 Songs

Introduction 300-251 250-201 200-151 150-101 100-76 75-51 Intermission 50-31 30-21 20-11

Introduction 300-251 250-201 200-151 150-101 100-76 75-51 Intermission 50-31 30-21

Introduction 300-251 250-201 200-151 150-101 100-76 75-51 Intermission 50-31

Introduction 300-251 250-201 200-151 150-101 100-76 75-51 Intermission

Introduction 300-251 250-201 200-151 150-101 100-76

Introduction 300-251 250-201 200-151 150-101

Introduction 300-251 250-201 200-151

Introduction 300-251 250-201   Continuation of Tier 8: Songs Which Provide Me with Mildly Pleasant Feelings 200. The Shark of Danville Harbor Section 2 ended with “Ballad of the Black Knight,” and section 3 opens up with its sibling, “The Shark of Danville Harbor.” Both are very successful in mimicking the style of a classic folktale song that’s passed through generations. This song gets the slight edge because of its more interesting melodic material, and the more frequent inclusion of funny oddball specificities, like the shark eating the curriculum advisor. Not to mention, the women folk in this tale save the day #girlboss ** 199. Here's Why It Is Great to Be a Baby This song gets the award for worst title in the entire show. They could’ve called it “Great to Be a Baby,” or “It’s Great to Be a Baby,” or even “Baby Song.” Instead, we are graced with a full sentence, which comes across as would the title of a fourth-grader’s essay. But this is just a minor detail! The clowny...

Introduction 300-251 Continuation of Tier 9: Songs Which Are Roughly Equivalent to Silence 250. Perry's Hat I am one of the few people who likes The Remains of the Platypus , but I don’t think anyone would consider themselves a fan of its musical interlude. The episode is too fast-paced to spend time on a “herring that’s red.” Especially one that’s not particularly catchy. ** 249. Let's Go Digital In some ways, this song is the opposite of “You’re Going Down.” Whereas that number starts off promisingly before quickly descending into disappointment, this one seems upon its opening moments that it will leave much to be desired, but in the end, isn’t half-bad. It’s elevated by small details, like the lack of terrible lyrics, which at this point in our countdown, has not been overwhelmingly common. And like the very small rhythmic tweak on the repetition of the phrase “let’s go digital.” And like the very unusual but charming way in which Isabella, Bal...

Click here to read the introduction Tier 11: Songs Which Repulse Me Deeply 300. Back in Gimmelshtump This concoction of noises is a monumental stain on humanity. For Dr. Doofenshmirtz, known for his show-stopping theatre-style numbers, Rollercoaster: The Musical was a golden opportunity to top them all. Instead, he disgusts the viewers with two contrasting sections, not even incoherent enough to be amusing, and lyrics which, when seen in isolation, could cause a regular bear to begin an early hibernation. ** 299. What Is This Thing? A pit of dread appears in the vicinity of my stomach when I listen to this so-called song. Its melody gives the impression of having been written entirely separately from its lyrics. If the intention was to make the listener feel like Candace feels: disjointed, confused, and upset, then consider this song a success. ** 298. Tri-State Area Unification Day Every detail of this abhorrent Love Handel showcase, i...